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塑石假山施工的工藝流程

秋葵视频官网app平時所看到的塑石假山都是以氣勢磅礴的姿態出現在秋葵视频官网app眼前,那你們知道塑石假山是用什麽做的嗎?塑石假山的製作流程又是怎樣的呢?就由小編帶大家了解塑石假山施工的工藝流程:
We usually see plastic rock rockery in front of us in a majestic manner. Do you know what is plastic rock rockery made of? What is the process of making stone rockery? Let's learn about the construction process of plastic rock rockery
塑石假山的施工工藝流程:
Construction process of plastic rock rockery:
1.鋼骨架塑山:秋葵视频官网二维码下载這裏說的鋼骨架其實就是塑山的山體構建材料,基架設置塑山的骨架結構,對於大型的假山還需要做鋼筋混泥土的基礎並搭設腳手架。
1. Steel skeleton plastic mountain: the steel framework we are talking about here is actually the construction material of the mountain. The base frame is set with the skeleton structure of the plastic mountain. For large rockery, it is also necessary to make reinforced concrete foundation and set up scaffolding.

2.泥底塑性:用水泥、沙、黃泥等材料配置成可塑性較強的砂漿,並在砌好的骨架上塑型,反複加工,使造型紋理,塑體和表麵刻畫基本接近模型。而且需要注意的是,在塑造的過程中,水泥砂漿中可添加纖維性的附加材料來增加表麵抗拉的力量,減少裂縫。
2. Plasticity of mud bottom: cement, sand, yellow mud and other materials are used to prepare mortar with strong plasticity, and molding on the built skeleton is carried out repeatedly, so that the modeling texture, plastic body and surface description are basically close to the model. And it should be noted that in the molding process, additional fibrous materials can be added to the cement mortar to increase the surface tensile strength and reduce cracks.
3.塑麵:在塑體表麵進一步刻畫模仿天然山石的質感、色澤和紋理等表麵特征。用色粉等比例調製塗抹成砂漿,按拉毛等塑麵手法處理;在用橫向、縱向等紋理來表現山體的俊俏和挺拔。
3. Plastic surface: further depict the texture, color and texture of natural rocks on the surface of the plastic body. It is made of mortar with equal proportion of color powder, and processed according to such plastic techniques as roughening; it also uses transverse and vertical textures to show the beauty and straightness of the mountain.
4.設色:塑山的山體表麵的基本色調用顏料粉和水泥等比例攪拌均勻調製成砂漿,逐層灑染。並且需要在塑麵水分未幹透時進行。在進行第二次上色時還需要注意石縫孔洞或陰角部位的色調,來增強整個山體的立體感。
4. Color setting: the basic color of the mountain surface is evenly mixed with pigment powder and cement to form mortar, and then dyed layer by layer. And it needs to be carried out when the moisture of the molding surface is not completely dry. In the second coloring, it is also necessary to pay attention to the tone of the holes or the inner corner of the stone seam to enhance the three-dimensional sense of the whole mountain.
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