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人工塑石假山結構布局標準特點

一、結構完整
First, the integrity of the structure
主山(或主峰) 的位置雖然不一定要布置在假山區的中部地帶,但卻一定要在假山山係結構核心的位置上。主山位置也不宜在山係的正中,而應當偏於一側,以避免山係平麵布局呈現對稱狀態。
The main mountain (or peak) position although not necessarily arranged in the false mountain middle zone, but it must be in the core position of mountain rockery structure. The main mountain in the mountains of the middle position is not, but should be partial to one side, to avoid the mountain layout symmetric state.
主山、主峰的高度及體量,一般應比第二山峰高,以充分突出主山、主峰的主體地位,做到主次分明。另外,山的形狀、大小、高低必須有變化,高低錯落,參差不齊;山腰線要流暢,左右要有變化,一邊坡度陡,一邊坡度緩,使山的造型形成一種動勢;山腳要有回抱、曲折,線條要流利自如。
The height and volume of the main mountains and main peaks should be higher than those of the second peaks, so as to give prominence to the main position of the main mountains and main peaks, so as to make the primary and secondary peaks distinct. In addition, the mountain shape, size and height must change, the level of scattered, uneven; mountain waist should be smooth, about to change, while the slope is steep, steep mountain side, so that the shape of the formation of a movement; at the foot of the mountain to hold back, twists and turns, the lines should be fluent.
二、虛實相生
Two, virtual and reality
在假山藝術中,常用虛實對比的方法來突出假山的藝術境界。所謂藝術境界是指用園林假山所表現的假山真實景觀(稱為實境),來突出某種深遠的意境(稱為虛境)。疊山置石十分講究內收而後突兀的形態,以山洞取“虛”得其深遠,後突取“實”得其造險。假山藝術是由模仿真實的自然山體而逐漸發展開來。“雖有人造,宛自天開”是人造假山藝術的高境界。因此,假山藝術是人工與自然的和諧相生,在“真中有假,以假亂真”中體現虛實相生的意境。
In the art of rockery, the contrast between the actual and the false is used to highlight the artistic realm of the rockery. The so-called artistic realm refers to the real landscape of the rockery (called reality) displayed by the rockery, which highlights some far-reaching artistic conception (called "virtual environment"). Stacked hill stone, very particular about the adduction and then abrupt shape, to cave to "virtual", its far-reaching, after the sudden take "real" its insurance. Rockery art is developed by imitating the real natural mountain. "Although there are man-made, Wan from heaven to open" is the highest level of artificial rockery art. Therefore, rockery art is the harmony between man and nature, and in the "true", "false", "genuine" and "genuine", it reflects the artistic conception of "both the true and the false".
一、結構完整
First, the integrity of the structure
主山(或主峰) 的位置雖然不一定要布置在假山區的中部地帶,但卻一定要在假山山係結構核心的位置上。主山位置也不宜在山係的正中,而應當偏於一側,以避免山係平麵布局呈現對稱狀態。
The main mountain (or peak) position although not necessarily arranged in the false mountain middle zone, but it must be in the core position of mountain rockery structure. The main mountain in the mountains of the middle position is not, but should be partial to one side, to avoid the mountain layout symmetric state.
主山、主峰的高度及體量,一般應比第二山峰高,以充分突出主山、主峰的主體地位,做到主次分明。另外,山的形狀、大小、高低必須有變化,高低錯落,參差不齊;山腰線要流暢,左右要有變化,一邊坡度陡,一邊坡度緩,使山的造型形成一種動勢;山腳要有回抱、曲折,線條要流利自如。
The height and volume of the main mountains and main peaks should be higher than those of the second peaks, so as to give prominence to the main position of the main mountains and main peaks, so as to make the primary and secondary peaks distinct. In addition, the mountain shape, size and height must change, the level of scattered, uneven; mountain waist should be smooth, about to change, while the slope is steep, steep mountain side, so that the shape of the formation of a movement; at the foot of the mountain to hold back, twists and turns, the lines should be fluent.
二、虛實相生
Two, virtual and reality
在假山藝術中,常用虛實對比的方法來突出假山的藝術境界。所謂藝術境界是指用園林假山所表現的假山真實景觀(稱為實境),來突出某種深遠的意境(稱為虛境)。疊山置石十分講究內收而後突兀的形態,以山洞取“虛”得其深遠,後突取“實”得其造險。假山藝術是由模仿真實的自然山體而逐漸發展開來。“雖有人造,宛自天開”是人造假山藝術的高境界。因此,假山藝術是人工與自然的和諧相生,在“真中有假,以假亂真”中體現虛實相生的意境。
In the art of rockery, the contrast between the actual and the false is used to highlight the artistic realm of the rockery. The so-called artistic realm refers to the real landscape of the rockery (called reality) displayed by the rockery, which highlights some far-reaching artistic conception (called "virtual environment"). Stacked hill stone, very particular about the adduction and then abrupt shape, to cave to "virtual", its far-reaching, after the sudden take "real" its insurance. Rockery art is developed by imitating the real natural mountain. "Although there are man-made, Wan from heaven to open" is the highest level of artificial rockery art. Therefore, rockery art is the harmony between man and nature, and in the "true", "false", "genuine" and "genuine", it reflects the artistic conception of "both the true and the false".
濟南假山製作
四、以小見大
Four, the child is father of the man
疊山置石,令人產生身臨其境之感,得益於師法自然。疊山置石在造園中,山、石是營造景觀不可缺少的載體。人們立足於山腳仰視高山,視線受到阻礙,隻能看到眼前山體的局部。這時,雖不見整體景觀卻依然感受到雄偉壯麗,浮想聯翩。
Rockery stone, is personally on the scene feeling, thanks to nature. Rockery in the garden, the mountains and stones are indispensable to build the landscape carrier. People based on the foot of the mountain, looking up the mountain, the sight is hindered, can only see the local mountain. At this time, although you can not see the whole landscape still feel the magnificent, fall into a reverie.
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This article from the Ji'nan rockery to make friendship, to provide knowledge support, more exciting content, please click on our official website: http://www.lounge-f.com
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